Tuesday 29 November 2011

3 thrill films

THE SILENCE OF THE LAMBS 1991. -
costumes - physco clothings, straight jackets, face mask
characters -  serial killer (Buffalo Bill ) - kills young large women and carves a pattern in them,
FBI candidate (Clarice Starling Foster), serial killer Dr "Hannibal The Cannibal" Lecter
music - tension made by the music when something bad is going to happen, starting slow then ending fast.
dialogue - physco talk e.g.
Dr. Hannibal Lecter: Why do you think he removes their skins, Agent Starling? Enthrall me with your acumen.
Clarice Starling: It excites him. Most serial killers keep some sort of trophies from their victims.
Dr. Hannibal Lecter: I didn't.
Clarice Starling: No. No, you ate yours.

shot types - lots of close up shots once the tension starts or focus is on one person
and wide shotes used when the shot is showing the whole of a person and the things around them to set the scene.
props - kiddy props e.g. teddy bears and killing props e.g. Guns, Masks and restraining benchs.
Location - in a phsyco jail, outside whilt its foggy, in a home.
Lighting - dark atmophere but the spot light is shown when someone is speaking or mainly on the good person and darker on the bad person.




SOURCE CODE 
costume -army air force suit, army helicopter pilot suit
characters - Army helicopter pilot Colter Stevens (Jake Gyllenhaal), last aware of being on a mission in Afghanistan,
wakes up on a commuter train traveling to Chicago
traveling partner Christina Warren
Air Force Captain Colleen Goodwin (Vera Farmiga)
Music - scientifical music, exploded noises but not alot of music mainly confused sounds.
dialogue - the helicopter pilot is confused and uses split dialogue and gets furstrated
the other air force captain is very confident but doesnt pay alot of attention to the helicopter
pilot so she uses quick explantations.
Shot types - uses close ups in the one scene which is said to be real life' in this scene then
in the 'unreal' scene uses wde shots to show the scene and who is in it and where its set.
props - train, explotions, security place including; computers.
location - in a security air force room and on a train.










JAWS 1975
costume - shark animated, people in swimming suits/scubber diving as the shark attacks when someones in the water.
Characters - Cast
Roy Scheider as Martin Brody
Robert Shaw as Quint
Richard Dreyfuss as Matt Hooper
Lorraine Gary as Ellen Brody
Murray Hamilton as Lawrence" Larry" Vaughan
Carl Gottlieb as Harry Meadows
Jeffrey Kramer as Leonard "Len" Hendricks
Susan Backlinie as Christine "Chrissie" Watkins
Jonathan Filley as Tom Cassidy
Ted Grossman as Estuary Victim
Chris Rebello as Michael Brody
Jay Mello as Sean Brody
Lee Fierro as Mrs. Kintner
Jeffrey Voorhees as Alexander "Alex" Kintner
Craig Kingsbury as Benjamin "Ben" Gardener
Dr. Robert Nevin as Medical Examiner
Peter Benchley as Interviewer
Music - classic piece of suspense music, synonymous with approaching danger
the music enhances the presence of an unseen terror, in this case the shark, they use 'Leitmotif' also used in star wars for Dark Vader.
dialogue - Short and simple as the people tend to be acting normal but once the shark
is aboout to attack it goes quite. (less dialogue)
Shots - The script was refined during production, and the unreliable mechanical sharks
forced Spielberg to shoot most of the scenes with the shark only hinted at but
Spielberg also included multiple shots of just the dorsal fin. This forced restraint
is widely thought to have increased the suspense of these scenes
Props - bad weather, manufactered shark, boat, beach/sand/sea.
location - The film was shot on location at Martha's Vineyard, Massachusetts,
and had a troubled production, going over budget and schedule




Monday 14 November 2011

preliminary Task



Evaluation
We felt that our film was a good try and the audience feedback provided us with some positives and negatives about our film. The feedback we had was that our framing was good yet our sound could have been improved by integrating it with the initial soundtrack that we produced.  Our dialogue was also a strong point that our audience picked up on; yet our match on action could have been improved by Lewis and Dean slowing down how fast they were running through the door. We also then realised that this error could have been fixed in editing and we shall take this into consideration for future tasks.

Saturday 29 October 2011